批评界不太喜欢他的第三本小说《咒语》，部分原因可能是他们没有意识到它本来是一部风尚喜剧作品。
Critics didn't much like his third book, the Spell, perhaps in part because they didn't realise it was a comedy of manners.
观众们喜欢电影三部曲的原因非常明了，但小说的畅销又该如何解释呢？难道大家对那些滑稽的失误都视而不见吗？
It is clear what people like in these movies, but what accounts for the success of the novels, despite their almost comical faults?
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