芭芭拉·汉默没有等待别人,而是自己构思了自传,这是她1992年的获奖作品《硝酸盐之吻》的后后现代续篇。
Barbara Hammer constructs an autobiography before someone does it for her in this post-post-modern sequel to her 1992 award-winning documentary Nitrate Kisses.
凡蒂莫认为,艺术作品是后现代、后形而上学时代真理出现的地方或场所。
In Vattimos view, works of art are places or locales for truth to appear in the postmodern and post metaphysical era.
后工业景观是工业时代之后“第四自然”的表征,其设计受到“大地艺术”和后现代建筑理论的影响。
The post-industrial landscape is the representation of Fourth Nature, and its design is influenced by the Earth work and the theory of post-modern architecture.
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