通过对杜甫七律的声律研究，可以看出杜甫在注意打破原有的声律结构而创作变体七律的同时，也在遵循传统创作正体七律。
Through a study on the rhyme in DU-Pus Qilu poems, we can find that when he broke the original rhyme structure to create an aberrant Qilu, Du-Pu abided by the traditional formal Qilu poem.
在他的作品中，你可以发现现实与幻想的共生，他清楚地看似毫不费力地创作，但同时使用完美的技术。
In his work you can find a symbiosis between reality and fantasy, which he clearly achieves, seemingly effortlessly, but at the same time with a high degree of technical perfection.
这在相当程度上，不仅还原了新月派小说整体创作状况的史实，同时也可以完善和加深我们对于新月派小说的认识。
To a certain extent, the conclusion not only restores historical fact of the Crescent School's novels writing condition, but makes readers understand the Crescent School's novels perfectly.
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