隶书上承篆书遗脉，下开楷书之源，更能体现中国书法的变形与夸张。
Li script can embody the deformation and exaggeration of Chinese calligraphy better than any other script.
汉画像石画像砖夸张、变形、象征、装饰的手法以求神似，在形的处理上丰富了水墨画造型在“似与不似”之间广阔的空间的选择。
With the method of exaggeration, distortion, symbolic and decorative, Han portrait stones and bricks enriched the choice of wide space in Chinese brush drawing.
动作的设计则需要遵循运动规律，如动作的预备、反应，加减速度与力的原理，惯性，跟随重叠动作以及夸张与变形。
The design is to follow the movements' rule, such as movement speed, preparation, the inertia, overlapping action, exaggeration and distortion.
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