仅仅根据一套固定的观念或价值观,从历史角度来看待艺术品是不够的。
It is insufficient to treat the artwork solely historically, in relation to a fixed set of ideas or values.
这并非学术或历史角度的空泛之论。
如果从更广泛的历史角度去考虑,这确实是反向思维。
This, if you think about it from a broad historical perspective, is quite a reversal.
And it requires us to understand history not in moral terms, such as "good" and "evil," but rather in aesthetic terms.
它需要我们,不是以道德层面去理解历史,去判断好坏“,而是要从审美的角度去看。
And Nabokov says: The students leaned heavily on emotional identification, action, and the social, economic and historical angle.
纳博科夫说:学生严重倾向于:,情感上的共鸣、动作、,社会、经济和历史角度。
Gadamer says, and here again he's attacking historicism: The text that is understood historically is forced to abandon its claim that it is uttering something true.
伽达默尔在攻击历史相对主义时这样说道:,文本如果放在历史的角度理解,那么这样的理解肯定不是绝对正确的。
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