在第四章，论文详尽地介绍了奈达的动态对等论和接受论，以及该理论的贡献和局限性。
The forth chapter introduces Nida's theory of dynamic equivalence in detail as well as the contributions of the theory.
第三章讨论了读者反应论与翻译和动态对等理论之间的关系。
Chapter three focuses on the relationship between reader-response theory and translation and dynamic equivalence.
本文基于奈达的动态对等原则和读者反映论，分析了戏剧翻译中文化专有项的处理方式。
This paper, based on Nidas' Dynamic Equivalence principles and Reader's Response Theory, analyses the ways to deal with the culture-specific items in drama translation.
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