第三部分则分析了梁启超人生审美化思想的二重性及其矛盾：为无目的的合目的性和非个人功利的功利主义。
The third part analyzes the duel characteristics of his life aesthetic thought , namely purposeless accordance with purpose and non-individuality utilitarianism.
《沧浪之水》在叙事上由于叙事目的过于功利而有简单化之嫌，作者成了叙事的借越者和万能主宰。
The narration in the Water of Dark Blue Water seems to be simplified due to the purpose of narration with too much utility, and the author actually dominates and controls the narration.
任何设计思想的演变与传承，总需要有特定的存在环境和土壤，设计理念与价值取向，也必须由特定的内在文化蕴性和外在的功利目的来决定的。
The thoughts in designing pass on and evolve in certain environment, and the views and values of designing are determined by both internal cultural connotations and external utilitarian purposes.
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