他创作的目标之一就是与马尔科姆的自传一较高低。 虽然他发现马尔科姆有很多之多值得崇拜的地方，但是他很清楚，书本情节的戏剧性往往是建立在牺牲事实的基础上的。

One of his goals was to grapple with Malcolm’s autobiography, and although he finds much to admire about Malcolm, he makes it clear that the book’s drama sometimes comes at the expense of fact.

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我们现在读诗时已经懂得了这一点,对我们而言所有的诗都是,根据十九世纪的勃朗宁及其他人的模式,而创作出的戏剧性独白。

Now this is something that we just take for granted when we read poems. All poems for us are to some degree dramatic monologues on the model of Browning and others in the nineteenth century.

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通过一个个相邻微缩的小世界，秘密空间将持续上演和创作戏剧性的故事。

Confidential space will continuously stage and create dramatic patterns with each condensed small worlds that are piled up one on another.

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