“兴象”为唐人殷璠所提出，强调艺术形象应具有兴的托物言志和喻情的作用，指诗人的情感、精神对物象的统摄，使之和诗人心灵的颤动融为一体，从而获得生命、具有个性和活力。从形象生成的角度看，兴象指的主要是形象蕴涵的更为深远的意旨，或者说是形象能够引发的超出形象本身的更为深远的情蕴。中国古代审美理论十分重视形象的这一特点，并把之作为衡量形象是否成功的重要标尺。
...源期刊网 关键词:雨 祭祀求福 物象 兴象 意象 情景 [gap=504]Key words: Rain; Worship of the village; Hing like; Xing images; Image; Scene ...
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...源期刊网 关键词:雨 祭祀求福 物象 兴象 意象 情景 [gap=504]Key words: Rain; Worship of the village; Hing like; Xing images; Image; Scene ...
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比兴象征 symbolic metaphor
兴象与理趣从 Journal of Suzhou Education Institute
御兴象 yuxing elephant
生命兴象 life primordial images
德布西即兴印象 Plays Debussy
制造兴旺假象 make a market
一派兴旺景象 a prosperous atmosphere
象山宁兴别克 In ogni caso ; un uomo ha fatto irruzione in ; Mentre il realtore della legge ; storico-geografiche
令人高兴的迹象 pleasing sign
The category of“Xing-xiang”has new development and deepening in poetics of Ming and Qing dynasty.
“兴象”范畴在明清诗学中又有了新的发展和深化。
参考来源 - 中国古代诗学兴象论研究·2,447,543篇论文数据，部分数据来源于NoteExpress
他表现主体情思时主要运用比兴象征和寓情于景两种方法。
He mainly applied the two rhetorical methods of symbolic metaphor and combining emotion with scenery to displaying principal part of tender regards.
殷璠“兴象”说的最大意义在于沟通了整个文学审美活动。
The great significance of Yin Fan's "Xing Xiang" theory lies in connecting with the whole activities of literary aesthetics.
其三，“兴”、“象”单个范畴与“兴象”之间的意义生发和转换；
Thirdly, the meanings of single category, "Xing"or"Xiang", and of"Xing Xiang"generate and change.
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