它是一次瞩目的研究，关于灵性和牺牲，关于人的信仰在荒蛮现实挑战前如何应对。
It is a remarkable study of spirituality and sacrifice, and how men of faith cope when their ideals are challenged by violent reality.
他的风格接近超现实主义，但这只是因为他信仰自由联想和想象是创作的首要因素；当他开始创作时，他并不知道自己最后会画出一幅什么样的画。
He liked Surrealism, but mostly for its belief in the primacy of free association and dreams; when he began a picture, he had no idea where it might take him.
因此，重建信仰，重建人的完整性，加强信仰学的研究是我们的必然理论选择和现实选择。
Therefore, rebuilding belief, rebuilding human integrity, and strengthening beliefology research is our inevitable theoretic and realistic choice.
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