From this angle, "narrative as rhetoric" actually is the mutuality between writing and reading, meanwhile involves valuable option of author and reader and ideological option of rhetoric itself.
从此角度来讲,“叙事作为修辞”其实是一种写作与阅读的互动,涉及到作者与读者的价值取向以及修辞本身的意识形态取向。
参考来源 - 论叙事作为修辞They can participate in the creationing of herpytexts directly. So the hypertext changes the situation of the antagonistic relation of the writer and reader.
超文本允许读者直接参与文学创作,空前地提高了读者的地位,从而改变了传统的作者与读者二元对立的状态。
参考来源 - 从文本到超文本·2,447,543篇论文数据,部分数据来源于NoteExpress
它评估作者与读者之间的关系。
这是关于当下以及一个人对当下所做出的贡献,因为阅读是作者与读者之间的相互交流。
It's about the now and what one contributes to the now, because reading is a give and take between author and reader.
作者与读者之间的交互并不局限于题词。
The interaction between readers and authors doesn't stop with the inscription though.
We could think of it as the contractual relation that a writer makes with his reader.
我们可以把它看作一种契约关系,作者与读者之间订立的契约。
And when you come to read it, what you're putting yourself in my position, as it were, and you are partaking of precisely the same activity as I "the first writer-reader" was.
而当你阅读时,换句话说,当你代替了我的角色时,你的阅读活动其实和我这个,第一个作者与读者的活动相同。
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