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这包括批评家主体精神的退位和作家主体精神的退位这两方面。
This includes the disappearance of critic subject spirit and the disappearance of writer's subject spirit.
“文体选择”与“抒情策略”同属于怎么写的问题，都是作家主体选择的结果。
The choice of style and lyric strategies are both questions belonging to "how to write", and they both originate in the writer's choosing.
重点归纳了作家主体精神的退位表现在使命意识的缺席、忧患意识的消弭和批判精神的退位这三方面。
Then the thesis summarizes the disappearance of writer's subject spirit shown as: Absence of mission consciousness, the disappearance of suffering consciousness, the disappearance of critical spirit.
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