其作品结构奇妙，想象丰富，脱出陈套，在当时画坛上可谓独树一帜。

He developed a school of his own in painting with rich imagination and unique structures , on which he conformed to no conventional pattern.

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作品结构的重要线索是历史，并通过对梦以及死亡的历史的叙述来阐释现实的虚无。

History is an important clue to the structure of the novel in which the history of dream and death is narrated for the expounding of the nothingness of the reality.

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其作品结构常常表现出一种自我解构的颠覆性，并赋予作品一种兼容多种解释的张力。

His structure always has the subversion that de-structured itself and give his works the tension of multiple interpretation.

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There is a self-consciousness in the thinking about structure that we find in many places in Levi-Strauss that Derrida freely acknowledges in his essay.

在列维的作品中,我们能找到多处对结构认识的自觉,德里达在自己的论文中也承认了这种自觉的正确性。

耶鲁公开课 - 文学理论导论课程节选

In other words, here is a moment when Levi-Strauss is admitting something about his own work which he is not admitting in his analysis of the Oedipus myth in the essay from Structural Anthropology that you read last time.

换句话说，在这里，列维承认了,关于自己作品的一些观点，而这些观点,是他在《结构人类学》中的那篇文章中,分析俄狄浦斯神话时所没有承认的,大家上次读过那篇文章。

耶鲁公开课 - 文学理论导论课程节选

Jacques Lacan So, the work of Jacques Lacan in France in the 1950s and '60s and of Jacques Derrida who brought deconstruction to the United States, actually to Johns Hopkins where Barth was teaching.

所以,于20世纪50年代和60年代间在法国的作品；,将结构主义带到美国的，Johns，Hopkins大学，当时Barth在那任教。

耶鲁公开课 - 1945年后的美国小说课程节选