这些作品在表现“自然的再现”、“自然的体验”的同时,更注重对“自然的描述”。
These works represent the emersion of nature, the experience of nature, and especially focused on the expression of nature.
人物性格和自然规律、行动和结果带来的一系列悲剧冲突,使作品在表现英雄精神的同时,交织着许多震撼人心的悲剧特质,给读者带来了全新的阅读体验。
The tragic conflicts between the heros character and the natural law, the action and its result offer the reader a new reading experience in heroism mingled with tragic features.
画家彼得·布兰登的作品从来没有标注过日期,其时间表现在才开始在批评文献中形成。
The painter Peter Brandon never dated his works, and their chronology is only now beginning to take shape in the critical literature.
This much, by the way, Wimsatt has in common with Gadamer, because Gadamer doesn't talk much about authors either, and Gadamer is interested in what he calls meaning, the subject matter, die Sache. Right? He's not interested in your sort of expression of that meaning or my expression of that meaning.
顺便说一句,文萨特和葛达玛很大相同之处就在于,葛达玛也不太强调作者的作用,而是对文章的含义,主题感兴趣,不是吗?,他不关注作品在用,你的还是我的表达方式来表现内涵。
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