《似与不似》是一本正文语种为简体中文的书籍
The appearance of the theory is the result that Chinese painting developed into certain stage that " artistically depicted to be both real and unreal ".
“似与不似”理论的出现,是中国画发展到一定阶段的产物。
参考来源 - 论“似与不似”在中国山水画发展中的表现及其现实意义He pays great attention to the nature and human' s unification between, this is precisely the Chinese tradition drawing art treatment natural;resembles with does not resemble;the esthetic manner reflection.
他注重自然与人的统一,这正是中国传统绘画艺术对待自然的“似与不似之间的”的审美态度的反映。
参考来源 - 追寻似与不似之间的内心的真实·2,447,543篇论文数据，部分数据来源于NoteExpress
“似与不似”在现代山水画创作中的现实意义。
Sixth, "artistically depicted to be both real and unreal"Modern Landscape Painting in the practical significance.
在“似与不似”之间给人以“似人非神”的感受。
This ambiguity between likeness and unlikeness gives us a feeling of not being divine but human.
“似与不似”既是艺术的出发点又是艺术的归宿；
Fifth, "artistically depicted to be both real and unreal"is both starting point of art and the home of art;
应用推荐