众赞歌在巴洛克时期的音乐中占有重要位置。“众赞歌前奏曲”、“众赞歌幻想曲”、“众赞歌变奏曲”、“众赞歌赋格曲”都是以众赞歌为主题的键盘器乐曲。众赞歌是路德教会的赞美诗。它的歌词通常是分节体的德文诗歌，配以单声部的旋律。
This give occasion to happen Religion Crusade in Germany and Martin Luther invented chorale.
宗教改革运动中马丁·路德创造众赞歌这种音乐体裁。
参考来源 - 巴赫音乐的人文探究·2,447,543篇论文数据，部分数据来源于NoteExpress
巴赫则正相反的将众赞歌作为创作的基础。
Bach feels otherwise; he makes the chorale the foundation of his work.
巴赫将十二至十八世纪最重要的创造——众赞歌引入他的康塔塔和受难乐中。
The grandest creations of the chorale from the twelfth to the eighteen century adorn his cantatas and Passions.
如果说他们所有的努力都没有白费的话，就是出现了一个更伟大的人将众赞歌变成了音诗。
If all their struggles towards the ideal were not to be in vain, a greater man had to come, who should makes his chorale fantasias musical poems.
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