在这首歌中,斯特莱德一开始就连续rap出四句“Why always me(为什么总是我)”,然后再配合“Mario Balotelli(马里奥·巴洛特利)”(巴洛特利的名字)作为呼应,整句歌曲浑然天成,十分押韵。
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什么受伤的总是我 Why do I always hurt ; Loreclaw Expanse
为什么受伤的总是我 Why was injured I always ; Why do I always hurt ; Why is always the injured
为什么我总是感到 Why i always feel
为什么我总是一个人 Why am I always
为什么你总是让我失望 You always let me down, down, down
我曾经孤立自己很多年,总觉得每个人和每件事都带给我伤害,好像自己就是受害者,并且总想知道“为什么总是我受伤?”
I spent years isolating myself, dwelling on everyone and everything that hurt me, feeling like a victim and wondering, "Why me?"
我总是知道你想让我告诉你什么。
她总是打电话,想知道我忙了些什么。
She's always on the phone, wanting to know what I've been up to.
Freud finally argues for exactly the same relationship between consciousness that is to say, what I think I am thinking from minute to minute and the unconscious, which perpetually in one way or another unsettles what I'm thinking and saying from minute to minute.
弗洛伊德最终赞同,同样的关系存在于意识和潜意识,意识是我认为我随时在想什么,潜意识呢,总是以不同的方式,来扰乱我随时所说和所想。
So I always know what's going on.
所以我总是知道正在发生什么。
And also I wanted to mention in terms of checking your Lewis structures, regardless of what they are, you should always go back and I had 10, and then count 2, 4, 6, 8, 10, because you always need to make sure you have the same number of valence electrons that you calculated in your actual structure.
我还想提一点关于检查,你的路易斯结构的建议,不管它们是什么,你总是应该回去检查一下,我有十个,然后数一数,二,四,六,八,十个,因为你总是需要确保实际价电子的数量,与你在结构中算出的数量相等。
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