本文从明代晚期市井文化入手，就市井文化对当时书籍装帧艺术风格的影响作一探讨。
This thesis focuses particularly on the manifold impact of street culture in late Ming Dynasty in regard to the art style of book design.
因此，我们应该确立三维视觉概念的、立体的、动态的书籍装帧设计观，使书籍装帧艺术上升到一个新的层次。
Therefore we should establish a tri-dimensional and dynamic new bookbinding concept that can make the bookbinding art go up to a new level.
利用符号学以及符号学美学的方法来系统地剖析中国古代书籍装帧艺术，可以发现书籍装帧艺术是一套典型的符号系统。
Analyzing traditional Chinese book design art by semiotics and semiotic aesthetics, we come to the conclusion that the book design art language is a typical sign system.
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