如果你的插件或者主题没有关于报告程序错误的信息,你就需要直接地联系插件或者主题的作者。
If no bug reporting information came with your plugin or theme, you'll need to contact the author directly.
传记作者不得不在与主题有关的两个摇摆不定的位置之间跳来跳去。
The biographer has to dance between two shaky positions with respect to the subject.
作者可以通过一个主题来表达他对人性或世界观的想法。
The writer may express his or her thoughts about humanity or a worldview through a theme.
In other words, we no longer say, "How does the author exert autonomous will with respect to the subject matter being expressed?"
换言之,我们不会再说,“作者是如何在尊重所要表达的主题的前提下,把独立的意愿加进去的?“
And stimulus generalization is the topic of one of your articles in The Norton Reader, the one by Watson, John Watson, the famous behaviorist, who reported a bizarre experiment with a baby known as Little Albert.
刺激泛化是,《诺顿读本》中一篇文章的主题,作者为约翰·华生,著名的行为主义者,他记述了一项奇怪的实验,对象则是一名叫做小阿尔伯特的婴儿。
This much, by the way, Wimsatt has in common with Gadamer, because Gadamer doesn't talk much about authors either, and Gadamer is interested in what he calls meaning, the subject matter, die Sache. Right? He's not interested in your sort of expression of that meaning or my expression of that meaning.
顺便说一句,文萨特和葛达玛很大相同之处就在于,葛达玛也不太强调作者的作用,而是对文章的含义,主题感兴趣,不是吗?,他不关注作品在用,你的还是我的表达方式来表现内涵。
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