苏(苏格拉底):孩子,你为什么悲伤?
朋友,你为什么这么悲伤?
“我不知道他们为什么离开,”他悲伤地说。
What's at stake, or what might be at stake in this connection between Milton's own postprandial groaning and moaning and the even more poignant post-lapsarian groaning of Adam and Eve and the entire earth?
这里为什么要把,弥尔顿餐后的这种呻吟,与甚至更悲伤的亚当和夏娃的餐后呻吟,还有整个大地的呻吟联系起来呢?
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