他在剪纸中创新性地运用木版印刷的技法，取得更丰富的层次感和对比度。
Furthermore, he made use of the techniques of woodblock prints which allow for differences in intensity and shade of colour creating highlight and contrast.
“镇墓兽”的胎骨制作， 一般在面部用圆雕、浮雕手法完成， 而器身则采用砍、削、粘接等工艺制作， 特别是透雕手法以镂空部分的前后遮掩造成了丰富的层次感。
The techniques, especially the match between the engravings on the outer parts and the solid surfaces of the inner ones, create the effect of rich layers.
更丰富的色彩组合，令“满幅绣”在立体感、层次感的表现上远远超越了传统的刺绣作品。
Richer color combinations, so "full of pieces of embroidery" in the three-dimensional, layered performance is far beyond the traditional embroidery work.
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