该书对中国艺术结构的理论研究具有一定的开新意义和拓展价值。
It is of significance for the theories research of Chinese art structure.
本文通过对商周之际中国艺术结构整合的描述，揭示了中国艺术在型态、媒介与旨趣追求方面所显示的特质。
It is expounded in the paper that integration of art structure in Shang and Zhou Dynasties Show the fentures of Chinese art on type, code-medium, and subjectival-purport.
第四章以俯仰天地为文化视角，具体研究中国艺术精神的三维结构及其主要表现。
Chapter 4 is revealing in detail the main content of three-dimensional structure in the spirit of Chinese art.
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