大众文化在当今世界的主流地位是无可否认的,但是与大众文化的主流地位不相称的是:它还很少被学术纳入理性研究的领域,也就是说,还没有作为一个值得充分研究的课题进入大多数学者们的视野。其中的原因是复杂的:(1)历史上有文字记载的文化主要是“精英文化”,因此,20世纪的知识分子受正统观念支配,还多半将大众文化排斥在学术研究的“正史”之外;(2)大众文化的冲击使知识分子在社会文化生活中的原有地位发生了动摇和改变。
研究表明,个体文化突变可以增加整个体系文化交流的机会。
The research indicates that individual cultural variation enhances the opportunity for overall cultural communication system.
中国当代艺术在全球化的浪潮和个体文化的诉求之间暗自较劲。
Chinese contemporary art is struggling under the table between the trends of globalization and the call of individualization culture.
黄玉雪曾表示第三人称的安排是对中国传统文化的尊重和对中国漠视个体文化的反映。
Wong states that the third-person-singular style is to show her respect for Chinese traditions and it also reflects cultural disregard for the individual in China.
What would happen is these people who were enslaved from different cultures would develop a makeshift communication system so they could talk to one another.
这些来自不同文化的被奴役的个体,会创造出一种临时的交流系统,以便他们之间能够互相交流
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