ADJ relating to, in the style of, or characteristic of Edmund Spenser, the English poet (?1552–99), or his poetry 模仿斯宾塞或其诗的; 斯宾塞的或其诗; 有斯宾塞或其诗特征的
N a student or imitator of Edmund Spenser 斯宾塞的学生; 斯宾塞的效仿者
It is one of the longest poems in the English language, the origin of Spenserian stanza.
这是英语语言史上最长的诗,是斯宾塞体的发端。
Byron quite casually said that he had 'a lot of Spenserian stanzas'.
拜伦漫不经心地说,写了“许多斯宾塞诗节”。
It is also one of the longest poems in the English language, the origin of Spenserian stanza, and the old cliché ‘roses are red, violets are blue’ is found in its earliest form in this poem.
这也是英语语言史上最长的诗,斯宾塞体的发端,那句老套话“玫瑰是红色的,紫罗兰是绿色的”可以在这首诗里找到最早的句式。 你怎能不拿起它呢?
Milton is alluding so unashamedly here to Spenser's Errour because, I think, on some level he wants to brand Spenserian allegory as an erroneous literary practice.
弥尔顿是如此厚颜无耻地引用斯潘塞的“错误“因为,在某种程度上他想标榜斯潘塞的寓言,是文学上的一个错误尝试。
In the works that Milton is going to be publishing now with greater and greater frequency, it's this Spenserian ideal of marriage that will be the new and, believe me, the endlessly complex Miltonic subject.
在弥尔顿准备出版的作品中,越来越常出现的,是斯宾塞式的婚姻理想,那将是崭新的,相信我,也是无尽而复杂的弥尔顿风格的题材。
Now Spenser's hero in Book Two of the Faerie Queene is Sir Guyon, and Sir Guyon descends into Mammon's Cave - it's a Spenserian underworld - and it's in Mammon's Cave that he is tempted by the money god himself.
斯潘塞在《仙后》第二册中的英雄是盖恩先生,盖恩下到贪欲之神的洞穴中,这是斯潘塞笔下的地狱,就在贪欲之神的洞穴盖恩被贪欲之神诱惑了。
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