[电子] 互调
互调(Intermodulation):由于器件机械结构接触不良、虚焊和表面氧化、 材质磁性导体和射频传导面的污染、工艺及设计因素引起的非线性,在两个或 更多的...
交调
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内调制
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相互调制
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intermodulation:
inter- + modulation
Intermodulation (IM) or intermodulation distortion (IMD) is the amplitude modulation of signals containing two or more different frequencies in a system with nonlinearities. The intermodulation between each frequency component will form additional signals at frequencies that are not just at harmonic frequencies (integer multiples) of either, but also at the sum and difference frequencies of the original frequencies and at multiples of those sum and difference frequencies.Intermodulation is caused by non-linear behaviour of the signal processing (physical equipment or even algorithms) being used. The theoretical outcome of these non-linearities can be calculated by generating a Volterra series of the characteristic, while the usual approximation of those non-linearities is obtained by generating a Taylor series.[citation needed]Practically all audio equipment has some non-linearity, so it will exhibit some amount of IMD, which however may be low enough to be imperceptible by humans. Due to the characteristics of the human auditory system, the same percentual amount of IM is perceived as more bothersome than the same amount of harmonic distortion. Intermodulation is also rarely desirable in radio, as it creates unwanted spurious emissions, often in the form of sidebands. For radio transmissions this increases the occupied bandwidth, leading to adjacent channel interference, which can reduce audio clarity or increase spectrum usage. It should not be confused with harmonic distortion (which has common musical applications), nor with intentional modulation (such as a frequency mixer in superheterodyne receivers) where signals to be modulated are presented to an intentional nonlinear element (multiplied) (see non-linear mixers such as mixer diodes and even single-transistor oscillator-mixer circuits). In audio, the intermodulation products are nonharmonically related to the input frequencies and therefore "off-key" with respect to the common Western musical scale.