中英
Chekhovian
  • 简明
  • adj.契诃夫的;契诃夫风格的
  • 网络释义
  • 1

     契可夫的

    ... Cheka 契卡 Chekhovian 契可夫的 Chekiang 浙江 ...

  • 双语例句
  • 权威例句
  • 1
    The Cherry Orchard is a new type of Chekhovian modern comedy.
    《樱桃园》是一部“契诃夫式”的新型现代喜剧。
  • 2
    As a family we are melancholy enough without the Chekhovian stage lighting.
    作为一个家庭,没有切科夫式的舞台灯光会令我们感都忧伤。
  • 3
    Vasily Kachalov was a Moscow art Theatre actor who played Chekhovian parts.
    瓦西里•卡察洛夫是莫斯科艺术剧院的演员,曾扮演契诃夫作品中的角色。
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  • 词源
1

Chekhovian:

Chekhov +‎ -ian

FROM: wiktionary
  • 百科
  • Chekhovian

    Anton Pavlovich Chekhov (Russian: Анто́н Па́влович Че́хов, pronounced [ɐnˈton ˈpavləvʲɪt͡ɕ ˈt͡ɕexəf]; 29 January 1860 – 15 July 1904) was a Russian physician, dramaturge and author who is considered to be among the greatest writers of short stories in history. His career as a dramatist produced four classics and his best short stories are held in high esteem by writers and critics. Chekhov practised as a medical doctor throughout most of his literary career: "Medicine is my lawful wife", he once said, "and literature is my mistress." Along with Henrik Ibsen and August Strindberg, Chekhov is often referred to as one of the three seminal figures in the birth of early modernism in the theater.Chekhov renounced the theatre after the disastrous reception of The Seagull in 1896, but the play was revived to acclaim in 1898 by Constantin Stanislavski's Moscow Art Theatre, which subsequently also produced Chekhov's Uncle Vanya and premiered his last two plays, Three Sisters and The Cherry Orchard. These four works present a challenge to the acting ensemble as well as to audiences, because in place of conventional action Chekhov offers a "theatre of mood" and a "submerged life in the text."Chekhov had at first written stories only for financial gain, but as his artistic ambition grew, he made formal innovations which have influenced the evolution of the modern short story. His originality consists in an early use of the stream-of-consciousness technique, later adopted by James Joyce and other modernists, combined with a disavowal of the moral finality of traditional story structure. He made no apologies for the difficulties this posed to readers, insisting that the role of an artist was to ask questions, not to answer them.

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