音乐美学是一门古老而年轻的学科。
这一时期音乐美学思想也极为活跃。
During this period, musical aesthetic ideas were also very active.
第二章道家音乐美学思想的体现；
The secondeharpter is the embodiment of the Taoists"music aesthetic ideas."
这些构成其音乐美学思想的整体特征。
These constitute the overall characteristics of his musical aesthetics thoughts.
文章分析了嵇康音乐美学的本体论思想。
This article analyses Ji Kang's ontology on musical aesthetics thought.
这就要从音乐美学和艺术学的宏观视角来分析河北梆子。
This acquires the analysis of Hebei Opera in the view of music and artistry .
阿多诺的音乐美学是其启蒙辩证法思想在音乐领域的具体运用。
Adorno's aesthetic of music is the specific use of the Dialectics of Enlightenment in the fi eld of music.
中国的古代音乐美学思想对于近代的中国音乐产生了深远的影响。
The thought of music Aesthetics in ancient China has influenced greatly on Chinese Modem music.
主情思潮音乐思想，是中国古代音乐史上最为合理的音乐美学思想。
Emotionalism music is considered as the most reasonable musical aesthetics in Chinese ancient history of music.
我国的音乐美学思想散见于我国古典的音乐史料和各种文艺作品中。
The thought of music aesthetics can be found in all kinds of Chinese musical materials, literature and art works.
嵇康的音乐美学思想是一个从本体论到欣赏论的思辨性很强的完整体系。
Ji Kang's ideology of music aesthetics is a complete system in the development of this field from ontology to appreciation which is full of dialectics.
她一生致力于音乐美学、音乐史、音乐分析、民族音乐、电影音乐的研究。
During the whole life, She researched music Aesthetics, music History, music Analysis, Folk music and Film music.
本文旨在以“他律”论为主线，对他们的音乐美学思想进行个案与综合研究。
The dissertation focuses on their main influential issue in "Heteronomie", and holds a comprehensive discussion on their Music Aesthetics.
第一章音乐分析，主要从作品的作曲技术理论和音乐美学观点两方面进行分析。
The first chapter analyses the music work in the view of composing skill theory and music esthetics.
音乐美学成为主流与近代“美的艺术”的提出以及美学学科的建立有直接的关系。
The reason why music aesthetics became the mainstream is directly related to the bringing up of the contemporary "Beaux Arts" and setting up of the discipline aesthetics.
在文艺复兴以前，西方音乐美学主要由一些思想家、哲学家从纯理论角度分析研究。
Before the Renaissance, the music aesthetics in the West was mainly studied and analyzed by some thinkers and philosophers as pure theory.
汉魏六朝赋中的音乐美学思想受儒、道两家思想影响深远，具有明显的儒、道源流。
The musical aesthetics thought of the Han-Wei and Six Dynasties Fu is affected far-reaching by both the Confucian and Taoist thought, with obvious Confucianism and Taoism origins.
作为一位多元思想交织时期的音乐美学家，他的音乐美学思想具有多解性与多源性。
As a music aesthetician in a period of pluralism, his music aesthetics ideas are with multi-solution and multi-sources.
迈尔的思想不仅对我们的音乐美学理论研究而且对音乐实践问题都具有很大的启发。
His theory provides many insights not only for musical aesthetic researches but also for musical practices.
主要课程包括：视唱练耳、和声、复调、曲式、音乐史、音乐美学、世界音乐研究等。
The main courses include Solfeggio, Harmony, Polyphony, Musical Analysis, History of Music, Music Aesthetics and Research of World Music.
孔子音乐美学思想的几个要点都植根于音乐艺术自身的特殊性和当时的音乐文化现象。
The main points of Confucius' aesthetics of music were rooted in the particularity of music and the musical phenomenon of his time.
通过这三个方面，我们可以对里曼音乐美学思想的基本内容有一个较为全面和清晰的把握。
Through these three points, we can have a more comprehensive and clear grasp to the basic contents of Riemann's Musical Aesthetics thoughts.
从一定意义上说，一部中国音乐美学史就是儒道两家音乐美学思想斗争、交融、互补的历史。
In some extent, the history of Chinese music Aesthetics is the history of music Aesthetic thought struggle, thought blend complementarily between Confucianism and Taoism.
本文从《文赋》出发，并联系陆机其他著作中的音乐资料，分别阐明这五个范畴的音乐美学内涵。
From the Wen Fu, and to contact Lu's other music materials, the paper was to clarify the meanings of music aesthetics in these five categories.
音乐美学与音乐哲学既有区别又有联系，二者既不能等同，又必须承认它们的隶属关系和交叉关系。
Music aesthetics and music philosophy is different but related. The formor doesn't equate the latter, of which the subjection and the intersection must be acknowledged.
本文结合《淮南子》中的音乐美学思想，分析和讨论了音乐审美关系的构建及音乐审美主体的接受差异。
Combining with music aesthetical thoughts of Huainanzi, this article analyzes and discusses the formation of music aesthetical relations and the accepting differences among aesthetic subjects.
他的音乐美学观不但确立了音乐的自主独立性，而且还是西方形式主义批评从传统走向现代之间的桥梁。
His musical aesthetic outlook did not only stablish the independence of music but was considered as a bridge of the Western formalistic criticism between tradition and the modern times.
音乐的形式和风格作为音乐美学研究中的一个重要课题，其在音乐美学思想的建构中有着特殊的意义和价值。
As an important topic of aesthetical research, the formation and style of music have its significant meaning and value in the music aesthetics.
在音乐界，德国音乐学家卡茨将“自律”、“它律”使用在音乐美学中，出现了自律美学和它律美学两个概念。
In musical field, the German musician Felix Gatze used "autonomy" and "heteronomy" in musical aesthetics and the two concepts autonomy aesthetics and heteronomy aesthetics appeared.
要想更好地进行中国传统民族音乐的审美活动，就必须对我国传统的音乐美学思想作系统的了解和清楚的认识。
Since very ancient time, the traditional aesthetic ideas in music, a mainstay, has always been dominating and influencing the development of the traditional Chinese national music.
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