其工艺基础为底釉、面釉分别制备，三次施釉，一次烧成。
The process is based on producing ground glaze and surface glaze in difference, spraying glaze three times, firing one time.
通过实验优选出呈色良好的釉里红色料、面釉、里釉的配方。
This paper aims at selecting the optimal formulas of good color generation for underglaze red, surface glaze and ground glaze by means of experiments.
增加基体表面粗糙度和减小面釉在底釉中的含量，可促进润湿性的改善。
The wetting performance can be improved with the increase of surface roughness of base metal or with the decrease of the content of overglaze in priming glaze.
介绍了搪瓷底釉、面釉、喷花釉同炉组合烧成的新工艺。该工艺提高了产品质量，减少了生产工序，节省了燃料消耗。
The combined firing of ground, cover and finishing coat of enamelwares has been described. This new technique results in better quality, simplified processing and energy saving.
另一方面，Feundlich 1925年的雕像“头”，这个上了釉的赤土色的作品，就如饱受风霜的老橄榄树，失去了抵御破坏的能力。
On the other hand, Freundlich’s “Head,” from 1925, a work made of glazed terra cotta, gnarled like an old olive tree, loses little of its power for being broken.
器表施满粉青釉，釉层细润，开片密布，四面出戟，颇具神韵。
The table was filled with pink green glaze, renew the glaze layer, open the slice densely, all around, quite a halberd verve.
器表施满粉青釉，釉层细润，开片密布，四面出戟，颇具神韵。
The table was filled with pink green glaze, renew the glaze layer, open the slice densely, all around, quite a halberd verve.
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