第三，青绿山水画中包蕴着相当多的中国画技法。
The third, there are many ancient skills in blue-green landscape paintings.
这种特征表现在山水画上，就是接近于自然本来面目的青绿山水受到青睐。
This performance features in the landscape paintings, that is closer to the true nature of the green landscapes are favored.
四围是山，怀里抱着一潭春水，那又浓又翠的景色，简直是一幅青绿山水画。
Beautiful as a traditional blue-and-green landscape painting, the pool of clear spring water was surrounded on all sides by verdant mountains.
任熊的青绿山水长卷《范湖草堂图》为我们再现了一种水木清辉、幽静闲适的境界。
Ren Xiong s landscape painting in dark-green hue "The Thatched House beside Fanhu Lake" depicts for us the clear and fresh landscape in secluded and quiet atmosphere.
通过对汪野亭的粉彩山水作品的研究，剖析浅绛彩对青绿山水瓷画风格演变的影响。
Through a research for the landscape works of WangYeTing's famille rose tracks, I will analyse the affection of the light crimson to the style changes of the turquois overglaze landscape paintings.
作者的青绿山水中孕育自然的力量，云起时，也将人的思绪带起，飞向真正的自然。
The power of the nature lies in the mountains and rivers. The rising clouds bring the audience's thinking up to the sky and the real nature.
文章第二部分浅析浅析了造成青绿山水画式微的五个因素，其一是中国哲学思想的影响；
The second part of the article analyses the five factors which makes the blue and green landscape paintings become weak: firstly, the effects of the Chinese philosophy;
在构图上较多保留早期全景人物故事穿插其间的山水画特征，反映出盛唐时代青绿山水的风格。
The mountains, trees, characters and imperial carrigae in the picture are vivid and delicate, showing the characteristic of the mountain-and-waters painting of the Tang dynasty.
在这幅画上，可以看出吴湖帆对传统山水画“南北宗”、青绿水墨的兼收并蓄，已经摆脱了流派的束缚，从而形成了自己的笔墨风格。
In this picture, we can see that Wu Hufan of traditional landscape painting "the civil cases", green ink and eclectic, has shaken off the shackles of genre, and formed its own style of pen and ink.
在这幅画上，可以看出吴湖帆对传统山水画“南北宗”、青绿水墨的兼收并蓄，已经摆脱了流派的束缚，从而形成了自己的笔墨风格。
In this picture, we can see that Wu Hufan of traditional landscape painting "the civil cases", green ink and eclectic, has shaken off the shackles of genre, and formed its own style of pen and ink.
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