构思巧妙，人文色彩浓厚，三维技术，镜头语言都很娴熟。
Skillful design, thick humanity flavor, well-handled 3d technique and camera language.
第三部分，从镜头语言角度分析陈英雄电影的独特艺术特征。
The third part analyzes the distinctive artistic features of Chen Yingxiong's films in terms of mirror language.
镜头语言是以怎样的方式达到这一目的的则是一个值得我们探讨和实践的课题。
In what way of camera language of this purpose is a worthy of our study and practice topic.
镜头语言是电影艺术在传达和交流信息中所使用的各种特殊媒介、方式和手段的统称。
Language is the film art in lens exchange information communication and use in various special media, ways and means collectively.
文章分析空间以及建构空间的镜头语言，试图在话语之外发现侯麦电影潜在的更丰富的表意内容。
This paper analyses the space and the lens language of building the space just for the purpose of finding the potential and much richer ideographic contents in his movies.
从镜头语言的话语功能上看，《三峡好人》具有以下的艺术特色：关注现实，反映当下的社会问题；
From discourse function of lens language, Still Life has following artistic features: paying attention to reality to reflect recent social problem;
影视短片是由一系列镜头按一定剪辑规则组接起来的艺术作品因此，镜头语言是进行影视创作的基础。
Film clip is composed of a series of lens according to certain rules of the art of editing work exemplifies up, therefore, is the camera language script writing foundation.
镜头联接流畅，展现了充分的视觉效果，在几乎没有语言的情况下，仅靠镜头语言节奏感很强的影视语言。
Smooth transition of cameras guarantees strong visual effects. Without much dialogue, the cameras have fully expressed the theme.
镜头语言与情感表达之间是否有一种放之四海而皆准的规律可遵循？还只是创作中作者灵感突发的一种偶然事件？
Dose a immovable rule of emotional expression of camera language exist? Or it is depend on the fortuitous inspiration of the author?
在这个过程中，我们可以借助西方的表现手法，学习好莱坞的镜头语言、叙事方式，但是我们的核心必须是本土的。
In this process, we can borrow the western technique of expression, learn the Hollywood's camera expression and narrative modes, but the nucleus must be our own indigenous stuff.
虽然镜头语言一直被公认为电影中的当家花旦，但影片中各种声音因素所带来的审美享受也是不可替代，不容忽视的。
Although the language of lens has long been recognized as a main actor in a movie, the aesthetic enjoyment brought from each kind of sound factors in the movie cannot be substituted and neglected.
他以自己的视角注视着这个时代的身体、都市、家庭以及心灵的病症，用寒冷至灼热的镜头语言诉说着这个荒芜无望的世界。
He takes his own Angle of view to focus on the body, city, family and psychological disease in modern times, and USES chilly or scorching scene language to describe the deserted and hopeless world.
镜头语言包括取景画面构成以及镜头的衔接与镜头的运动，谨借此次个人短片创作对镜头语言的运用作简要的探讨与讨研究。
Lens languages including picture composition and lens 3.0-inch cohesion and lens of sports, to borrow the personal video creation of the use of camera language briefly discussed and for research.
随后，他在耶路撒冷比扎莱尔艺术与设计学院研修了影视制作与动画制作两门专业，并以优异的成绩毕业。 影视与动画的结合使得那丹的镜头语言强烈而独特。
Recently graduated with excellence from the Bezalel academy of art & design in Jerusalem, Nadan majored in video production and animation combining the two to form a strong, unique visual language.
电影中有雅丽妮和桑迪跳舞的笨拙镜头，他们的肢体语言暗示两人之间毫无感情。
There are scenes where Yalini and Dheepan dance awkwardly, their body language clearly showing that they have no feelings for each other.
我想每天去语言实验教室一个镜头，然后剩下的其它时间做日常的活动。
I would like to go to the language lab about an hour a day, and then just spend the rest of my time doing the usual daily activities.
摄影本体语言包含摄影的纪实性、瞬间性、时间与空间的拓展、镜头透视关系变化、清晰与模糊的运用等。
Photographical language concludes photography's documentary, instantaneous, the expanding of time and space, the change of shot perspective relationship, the application of clear and ambiguous, etc.
我试图用镜头的语言来唤起我们对自身家园的一种思考。
I attempted to evoke deep reflections on our home with camera language.
流动变化的镜头和自由自在的公路音乐是美国公路片独特的视听语言。
The flowing and changing shots and the dynamic road-music constitute a unique audio-visual language for American road movies.
第二节更具体分析到韩国恐怖电影的视听语言，在人物造型、镜头运用、色彩音响等方面对韩国恐怖电影的视听元素作深入的研究探讨。
Section II is about the more specific analysis of the Korean horror movie's audio-visual language, including the use of the camera, stereo color, and so on.
和不同镜头的组接(剪辑)所产生的蒙太奇不仅形成了镜头画面的构成法则，也完善了电影语言的独特语法修辞规律。
And different lens (clip) generated exemplifies the montage not only formed the composition of the screen shots, and perfect the laws of unique film language of rhetorical devices rule.
和不同镜头的组接(剪辑)所产生的蒙太奇不仅形成了镜头画面的构成法则，也完善了电影语言的独特语法修辞规律。
And different lens (clip) generated exemplifies the montage not only formed the composition of the screen shots, and perfect the laws of unique film language of rhetorical devices rule.
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