东方绘画中特有的墨色晕染之美及以线条界定空间的观念，在金甫珉的作品中得到了新的思维。
The effect of ink-wash in Oriental paintings, and its use of lines for spatial delineation are augmented in this work to gain new philosophy.
东方绘画中特有的墨色晕染之美及以线条界定空间的观念，在金甫珉的作品中得到了新的思维。
The effect of ink-wash in Oriental paintings, and its use of lines for spatial delineation are augmented in this work to gain new philosophy.
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