• 巴克斯酒神的或与之相关的。

    Greek Mythology Roman Mythology Of or relating to Bacchus.

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  • 夜游者、魔术师、巴库斯的祭司和酒神的女祭、传秘密教的人。

    Night-walkers, magicians, priests of Bacchus and priestesses of the wine-vat, mystery-mongers.

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  • 他说我们自身被分成两个重要的部分:“酒神的”和“日神的”。

    He says that we have separated two important aspects of ourselves: the "Dionysian" and the "Apollonian".

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  • 三个女人穿著的像酒神的女祭司,戴奥尼·索斯的女性崇拜者围绕著神像。

    Three women dressed as maenads, female worshippers of Dionysus surround the idol.

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  • 古希腊悲剧家欧里庇得斯的剧作《酒神的女祭司们》生动地展现了本能和习俗的冲突。

    The Bacchae, a play by the Greek tragedian Euripides, shows a dramatic view of the confrontation between instincts and institutions.

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  • 小克莱巴以他酒神的魅力闻名乐坛,同时他也爱耍小孩子气---比如说最后一分钟取消演出。

    Kleiber was known as a brilliant conductor who could inspire an orchestra but also as an enfant terrible who would call off performances at the last minute.

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  • 有一个古老故事说:昔日米达斯王曾很久在林中寻找酒神的伴侣,聪明的西列诺斯,但没有找到。

    An old legend has it that King Midas hunted a long time in the woods for the wise Silenus , companion of Dionysus, without being able to catch him.

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  • 欢快的酒神的火苗是无法从德伐日先生压榨出的葡萄汁上燃起来的,它的酒渣里也隐藏着一种在黑暗里闷着燃烧的火。

    No vivacious Bacchanalian flame leaped out of the pressed grape of Monsieur Defarge: but, a smouldering fire that burnt in the dark, lay hidden in the dregs of it.

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  • “金色山”的背景是酒神巴克斯花园。

    "Golden mountain" against the background of Garden of Bacchus.

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  • 狄俄尼索斯是他们的酒神,如何更好地颂扬他的伟大,演唱关于他的歌曲。

    Dionysus was their god of wine and how better to celebrate his greatness than to get blasted and sing songs about him.

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  • 卸任后他将会遭到法官的不断追诉,而且他的私人生活现在显得乏味及孤独,尽管不时伴有酒神巴克斯的贡品。

    He would be pursued relentlessly by magistrates on leaving office. And his personal life now appears dull and lonely, albeit punctuated with occasional tributes to bacchus.

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  • 希腊神话中,萨蒂尔是一种半人半羊的生物,常与自然之神潘和酒神狄俄尼索斯联系在一起。

    In Greek mythology, satyrs are half-goat, half-man creatures associated with Pan, the nature god, and Dionysius, god of wine and pleasure.

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  • 这个婴儿就是大名鼎鼎的酒神巴克斯。

    The child would grow up to be Bacchus, the great god of wine.

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  • 那宏大的酒神现象呢?

    What about that tremendous phenomenon of the Dionysian?

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  • 在《权力意志》1052中说道,在酒神世界里:存在的特征是,能够承受并为巨大的,苦难辩护。

    And then in will to power 1052 the note says that in the Dionysian state, quote: being is characterized as holding enough to justify even a monstrous amount of suffering.

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  • 悲剧是从酒神中诞生的吗?

    And what about what was born out of the dionysian-the tragedy?

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  • 在他最后一本书《狄奥尼·索斯-酒神赞歌》(1889)中,有一首名为“阿里阿德涅的挽歌”诗,充满着痛苦与渴望。

    In his last book, Dithyrambs of Dionysus (1889), Nietzsche included 'Ariadne's Lament', a poem full of pain and longing.

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  • 第二乐章在情绪上则是第一乐章酒神狂欢的继续。

    The second movement is, in mood, a continuation of the first movement.

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  • 尼采认为,悲剧源于两位神的交锋,即理智与和谐之神阿波罗,迷狂之神(酒神)狄奥尼·索斯。

    Nietzsche says that tragedy emerges from the clash between Apollo, god of reason and harmony, and Dionysus, god of intoxication.

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  • 酒神精神与日神精神是尼采美学和文艺思想中两个最重要的范畴。

    Two most important categories of Nietzsches aesthetic and literature thoughts are Dionysus spirit and Apollo spirit.

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  • 在这些传说中流传最为广泛的是“酒神造酒”说。

    In these legends circulating most widely used is the "god of wine brewery," said.

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  • 酒神精神与日神精神是尼采美学和文艺思想中两个最重要的范畴。

    Two most important categories of Nietzsche's aesthetic and literature thoughts are Dionysus spirit and Apollo spirit.

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  • 酒神,一向是西方艺术的最根本的永恒原型。

    Dionysus is eternally the fundamental archetype in western art.

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  • 作为非理性主义的酒神精神在艺术创造中有着理性主义所不能替代的而且也是特殊的艺术功效。

    Dionysus's spirit, representing non rationalism, has special artistic effects on artistic innovation, which cannot be replaced by rationalism.

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  • 在暴烈的自我毁灭中,酒神这位狂放的叛逆获得了重归原始自然的最大欢乐和超越悲剧的意义。

    And Dionysus, the wild rebel in the violent self-destruction, obtains the greatest happiness and the significance that transcends tragedy in the return to the primitive nature.

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  • 文学在本质上是合乎酒神精神的“自然之子”,在这个意义上,文学以其对文化与理性的反叛体现出永恒的人文情怀。

    Literature is essentially "son of nature" that conforms to Dionysiac spirit; therefore, in this sense, literature, with its rebellion against culture and ration, reflects eternal humanistic feelings.

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  • 国王迈达斯认出他是酒神狄俄尼索斯的朋友。他想,机会来了,西勒·诺斯会给他带来更多财富的。

    King Midas recognized Silenus as a friend of the god Dionysus, and saw through Silenus as an opportunity to increase his own wealth.

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  • 酒神精神与萨特的存在主义哲学在其小说中得到艺术再现。

    So, Dithyramb spirit and Sartre's existentialism get the art emersion in her novels.

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  • 酒神精神与萨特的存在主义哲学在其小说中得到艺术再现。

    So, Dithyramb spirit and Sartre's existentialism get the art emersion in her novels.

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