我们必须做更多的工作来反复灌输这样一种观念，即文化遗产超越了任何一个政权或任何一个政府。
We have to do more in terms of inculcating the idea that cultural heritage transcends any one regime or any one government.
这个谎言是一个信念，以及是一种文化上的断言：你们只不过就只是一个物质人类，并且，并不存在其他超越你们人世体验之外的其他领域的存在。
This lie is the belief and cultural assertion that you are nothing more than a physical human being and that there are, in fact, no other realms of being beyond your earthy experience.
所以，我们要以一种超越的视野来整合各方面的因素，重建文化认同，促进文化合理交流。
Therefore, we should, with a transcendent vision, conform various factors, reconstruct cultural identity and promote reasonable cultural exchange.
这样的理解是因一次表演而产生的一种产品，以及并非取决于一种超越的立场的东西，通过定义是在被把互相联系起来的文化外边。
Such a comprehension is a product arising out of a performance, and not something depending on a transcendental stance, which by definition is outside the cultures to be interlinked.
家书审美的符号象征性，全面体现出我国传统家书是超越单纯文本的一种综合文化载体。
Letter home's aesthetic symbols characteristic, overall reflects that traditional letter home is a kind of composite Carrier of culture, which beyond a simple text.
从终极意义上讲，文化载体之所以成为一种无可替代的存在，正是源于人的两种渴望：渴望生命的永恒和渴望对“物”的超越。
In ultimate sense, the reason that culture carrier becomes an inevitable existence lies in two thirsts of people: the thirst for athanasia and the thirst to surpass the limitation of substance.
企业文化反映了一种致力于物质生产的精神气质，一种企业经营哲学和自我超越的生活态度。
Cultural strength in enterprise reflects a spirit temperament which devotes to material producing, and a kind of philosophy in corporate management and life attitude of self-surpassing.
从这个层次上讲，对神秘文化的借鉴是对建立在传统认识论基础上的现实主义的超越，也是文学自身摆脱简单、透明与单一的一种努力。
In this sense, the borrowing from the mystical culture is but a realist transcending based traditional epistemology, an attempt of escape from the simple, transparent and monotonous.
这种反思具有一种在回瞥中怨恨的现代性体验，并以“爱与美”为文化建构的立足点，企图重构一个超越乡村文化与城市文化的理想的、完美的中国文化。
The cultural introspect has a kind of modernism experience at the back glance and try to rebuild a perfect Chinese culture beyond rural culture and city culture from the stand of "love..."
这种反思具有一种在回瞥中怨恨的现代性体验，并以“爱与美”为文化建构的立足点，企图重构一个超越乡村文化与城市文化的理想的、完美的中国文化。
The cultural introspect has a kind of modernism experience at the back glance and try to rebuild a perfect Chinese culture beyond rural culture and city culture from the stand of "love..."
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