谢灵运赋的基本主题及情感内涵。
Second, Xie Lingyun bestows on basic subject and emotion connotation.
谢灵运和谢胱是中国诗歌史上的山水诗大家。
Xie Lingyun and Xie Yao are the outstanding poets of landscape in the history of Chinese poetry.
提到谢灵运，我们马上会想到他是中国“山水诗鼻祖”。
Mentioned Xie Lingyun, we can think immediately he is China "the scenery poem first ancestor".
谢灵运的山水诗可分为庄园山水诗和远游山水诗两大类型。
The landscape poetry written by Xie Lingyun can be classified into manor landscape poetry and expedition landscape poetry.
谢灵运与王维在山水诗创作上有很多相似之处，但也有着各自的特点。
There are many similarities between Wangwei's Mountains And Water Poetry And Xie Lingyun's. But they have their own characteristics too.
在这样的思路之下也分析了谢灵运于“出”、“处”之间的无奈与困顿。
In this line of thought we also analyzed under the "out" Living conditions Lingyun's the helplessness and frustrations.
谢灵运和柳宗元在山水诗创作上有着很多相似之处，但也有着各自的特点。
There are many similarities between Xie Lingyun's Mountains And Water Poetry And Liu Zongyuan's. But they have their own characteristics too.
近人黄节《谢灵运诗注》又引《老子》“归根曰静”，意思是静者即隐者。
In another note by Huangjie in the notes to Xie Lingyun's poems the "Jingzhe" was explained as hermit according to Laozi.
然而，除了山水之外，谢灵运对自己身体的描述，也是其诗审美的重要对象。
However, his body and posture are also regarded as the element of appreciation in his poems.
谢灵运和鲍照分属于南朝社会中士族与素族不同的两极，对于建安文学的关注自然也体现在不同的方面。
Xie and Bao belonged to the polars of the society in Nan Dynasty respectively, the gentry and the multitude, so the attention to Jian 'an Literature naturally is paid in different aspects.
另一方面，陶渊明和谢灵运两人分别作为我国田园诗派和山水诗派的代表和奠基人，在文学史上占有重要地位。
The other hand, Tao was respective and founder of the Pastoral Poetry and Xie representatives and founder of the Landscape Poetry Style, which occupied an important place in literary history.
而采用“三段式结构”进行创作，在诗中“言必称玄”，则是谢灵运山水诗受玄学影响所呈现出来的最为明显的特点。
The most striking characters influenced by Metaphysics in his poems are the "structure of three-paragraph" and "no words without the thoughts of Metaphysics".
而采用“三段式结构”进行创作，在诗中“言必称玄”，则是谢灵运山水诗受玄学影响所呈现出来的最为明显的特点。
The most striking characters influenced by Metaphysics in his poems are the "structure of three-paragraph" and "no words without the thoughts of Metaphysics".
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