大众话语则实现了话语主体向客体的转换。
The mass discourse realized the transformation from the subject to object in discourse.
刻板印象导致阅读期待，是影视误读的真正话语主体。
Being brought about stereotype, the reading expectancy is thus the principal part of discourse in the misinterpretation of movie and TV serials.
法律解释中的话语主体和主体话语的理性化是法律论证的当然前提。
The rationalization of both the discourse subject and the subject discourse in the law interpretation is the certain premise of the law reasoning.
人们唯有坚持话语主体原则、话语形式原则、话语语境原则才能达到话语正解的目的。
Only by sticking to discourse subject - based principle, discourse form principle and discourse context principle can people realize the aim of correctly understanding the discourse.
新闻评论语篇中存在大量相异的语言成分，不同的话语主体、不同的语体类型在语篇中交叉出现。
Chapter six and seven discusses the different ingredients, like different discourse subjects and language varieties, in news commentary discourse.
1937年间，现代汉语文论话语主体在个性追求与族性意识两者之间的认同与取舍，显得异常复杂。
From 1917 to 1937, the speech subject of modern Chinese literary theory was very complicated in pursuit of personality or nationality.
在比较美学语境中，“话语主体”不存在谁占据“话语权力”的问题，东西方美学应处于平等对话的地位。
In the context of comparative aesthetics, the problem that which discourse subject should have the discourse power does not exist, and the Eastern and Western aesthetics should communicate equally.
在阶级话语的形成空间中，话语主体的行为方式和话语倾向是商业逻辑、文化逻辑和权力逻辑复杂作用的结果。
In the space of class discourse informed, the different behaviors and tendency of people is determined by the commercial logic, the cultural logic and the authority logic.
人际意义反映言语参与者之间的社会关系和社会交际性，并表达话语主体的态度、情感及价值观念等主观性因素。
Interpersonal meanings reflect social communication and social roles between participants in speech and express the speaker's attitudes, feelings and values.
语言被说出的过程中，话语的有目的的能动主体，会最终与自己的意愿不相一致，某种意义上讲，是种削弱破坏作用。
It speaks in other words as the moment in which the purposeful agency of speech is finally called into question in a certain sense undermined.
因此，对话语所作的分析就无需参照先验主体。
The analysis of discourse operates therefore without reference to the transcendental subject.
法律解释中的主体话语具有交往性、时限性、规则性、程序性、封闭性以及法律文本的决定性等特点。
The subject discourse in the law interpretation possesses characteristics of intercourse, of time limit, of rule, of procedure, of unenlightening and of the decision by the law text.
在教育话语抽空了身体、权力“规训”身体的境况下，“身体主体”活动的空间受到极大限制，主要活动表现为听、说、看、读与写。
Discourse empties body and power surviels it , under these circumstances, the activity space of "body -subject" is limited mainly to listening, speaking, looking, reading and writing.
这种话语是通过对传统主体观的批评来实现的。
The discourse was realized by the criticisms of the traditional subject.
审美主体、引起主体美感的对象与特征、话语媒介是其核心三要素。
The main body of beauty appreciation, the object and features for producing beauty, and the discourse media are the three nuclear elements.
福柯的“知识考古学”对这个过程和这种关系进行了深入研究，揭示了由此形成的话语权力必会导致主体的消失。
Micheal Foucault, who makes a deep research into the procedure and relationship in the field of Archeology of Knowledge, claims that the power of discourse causes the disappearance of the subject.
这些古代科举术语和词汇构成了“科举学”这一庞大而专门的概念体系的主体，使“科举学”具有自身特定的话语系统和学术规范。
These ancient terms constitute the main body of the immense and special conceptual system of Kejuology, the study of the ancient Chinese imperial examinations.
它的现代性主要表现在：主题表现的现代性、形象主体的现代性、话语表达的现代性、叙事方式的现代性。
Its modernity is mainly manifested as follows: the modernity of theme, of image subject, of discourse expression and of narrative way.
语篇视角是在叙事者的话语现实中嵌入的主体(人物)视角。
Discourse perspective is the embedded viewpoint of subject in narrator's reality space in narrative discourse.
叙事文本中的话语之争，文本间的仿拟等修辞策略和悲喜剧艺术手法，都提示了言说主体的心理意识和价值准则。
Meanwhile, the dispute of discourse, the rhetoric of pastiche and the artistic skill of tragedy or comedy both reveal the novelists' sense and law of value.
即使拿媒介曾经具有的无比灵动的审美知觉来进行辩护也无济于事，主体已经消失在媒介话语的地平线上。
It is useless even to argue for it by using the flexible aesthetic perception once possessed by the mass media because subject has disappeared in the discourse of the media.
话语作为人们社会实践的重要手段不仅可以反映说话人的身份，它同时也是说话人主体构建其性别身份的重要方式。
Discourse, as an important instrument of people's social practice, is also the instrument of constructing the subjects' gender identities.
女性创作常表现两种话语形式：主体话语和客体话语。
Woman's writing has two discourses: subject discourse and object discourse.
一个所指往往表现为话语话题或话题主体。
A referent often appears as discourse topic and topic entity.
因此，要想让权利话语重新与宽容意识保持内在的一致性，就不得不消解权利话语的“斗争逻辑”，确立以宽容意识为核心的主体间性立场。
Therefore, to reunify right discourse with tolerance ideas, it is necessary to dissolve struggle logic in right discourse and employ intersubjectivity stand which regard tolerance ideas as its core.
表现在文学创作和文学批评中，存在着妇女观与女性文学形象、男性霸权主体话语与女性反叛形象话语的双重悖反。
His literature creation and literature comments express much double paradox about female viewpoint and female literature images, male hegemony principal words and female critical visual words.
然而，现代的权利话语强调的乃是“主客二元对立”的“主体性逻辑”以及受此逻辑支配的斗争逻辑，从而在一定程度上背离了宽容意识。
However, modern rights discourse stress the subjective logic which means the duality of subject and object and struggle logic streamed from it, and deviated from tolerance ideas in some cases.
其中，东盟各国表现出了强烈的主体性与话语意识。
Among these countries, ASEAN countries have shown strong subjectivity and the awareness of discourse.
言语交际中，话语意义的来源主要有六个方面：主体需要、主体状态、交际背景、交际情境、语言结构、副语言。
The sources of speech meaning can be divided into six parts: the need of subject, the state of subject, communicative background, communicative context, language structure and paralanguage.
文学经典的选择与确立的主体是国家话语、精英话语和民间话语三种话语权力。
Country discourse, elite discourse and folk discourse are the three main bodies during the choosing and establishing of literary classics.
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