一些艺术评论家也表示，裸体的男人与女人由一个天使唱诗班围绕，这也意味着欧洲各国正走到一起。
Some critics have suggested that the naked figures of a man and woman surrounded by a choir of angels signify the nations of Europe coming together.
委员会指出电视里的裸体镜头太多。
The committee claimed that there was too much nudity on television.
该员会认定在休闲胜地的裸体行为弊大于利。
Nudism, the council decided, was doing the resort more harm than good.
他是澳大利亚最杰出的艺术家之一，以肖像画、风景画和裸体画而闻名。
He was one of Australia's most distinguished artists, renowned for his portraits, landscapes, and nudes.
之所以叫“裸体之地”是因为，年轻的希腊男子训练时总是裸体，运动时也是裸体。
The reason it was called "the naked place" is because young Greek men always exercised in the nude and played sports in the nude.
由裸体画或部分被遮住的女性形象所激发的灵感，他梦想创作一大系的女像柱。
He dreamt of creating a great series of stone caryatids, inspired by the nude or partly draped female figures.
起初，科学家们认为刻在鹿角上的几何图形可能是之前提到的那个女人，也可能是一个举着双臂的裸体男人。
At first, the scientists believed the geometrical figure carved onto the antler could have been either the mentioned woman, or a nude man raising his arms.
除了纽约的风景之外，景观，裸体和肖像也是费廷作品中反复出现的主题。
Alongside views of New York, landscapes, nudes and portraits are recurring themes in Fetting's work.
由裸体画或部分被遮住的女性形象(她们支撑着古希腊神殿的石柱顶盘)所激发的灵感，他梦想创作一大系的女像柱。
He dreamt of creating a great series of stone caryatids, inspired by the nude or partly draped female figures that supported the stone entablatures of ancient Greek temples.
披头族的主要作品有艾伦·金斯堡的《嚎叫》（1956），威廉·博罗斯的《裸体午餐》（1959）和杰克·克鲁亚克的《在路上》（1957）。
The major works of Beat writing are Allen Ginsberg's Howl (1956), William S. Burroughs's Naked Lunch (1959) and Jack Kerouac's On the Road (1957).[1]
披头族的主要作品有艾伦·金斯堡的《嚎叫》（1956），威廉·博罗斯的《裸体午餐》（1959）和杰克·克鲁亚克的《在路上》（1957）。
The major works of Beat writing are Allen Ginsberg's Howl (1956), William S. Burroughs's Naked Lunch (1959) and Jack Kerouac's On the Road (1957).[1]
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