“母亲与儿童”意象传达出他人生无爱的虚无感；
"Mother and Child" images convey a sense of emptiness of life without love;
其作品中所包孕的荒诞世界呈现的是历史存在的虚无感。
In her work, incredible world shows us the nihility of the historical existence.
剧作家以此揭示20世纪中叶，人类精神家园的失落和强烈的虚无感。
The playwright opens out the losing of mankind spirit homestead and strong unreal feeling during the middle period of 20 centuries.
艺术家在面对如此宏大的命题时，往往会不自觉的产生一种无力探索的虚无感。
When facing such a broad topic as time, artists may usually have a sense of futility for their artistic explorations.
他的语言有种刻意而为的模糊感,对他来说，这与他不向罪恶堕落，宁可选择虚无的决心有关系。
There is a vagueness to this language that I think is quite calculated, and it relates, in Haze's case, to his determination to not be converted to evil, but to nothing.
从用户角度看，本地应用更有吸引力，因为它给人以真实的存在感，存在云端的网络应用则让人感到虚无缥缈。
From a user perspective, native apps are more appealing because of this.
这是奥尔斯福德主义的虚无主义，是安全感驱使下的一次向死亡的倒退。
This is the nihilism of Alresfordism, a security-driven retraction toward death.
一方面，它可以增加沉浸感，并在虚拟现实中的体验中给予用户脚踏实地的感觉，这与用虚无缥缈的实体来表现玩家形成了鲜明的对比。
On the one hand, it can increase immersion and help ground the user in the VR experience, when contrasted to representing the player as a disembodied entity.
第二节则从虚无与荒诞的关系出发描述了新写实小说所流露出的对世界和人生的荒诞感。
But second section from nihility with the fantastic relation sets out newly to describe realistic writing novel shows unintentionally the fantastic sense to the world and life.
第三章以部分新写实小说为例，来说明它们所流露出来的人生的虚无与荒诞感。
Third chapter takes the part of realistic writing novel newly as the example, and explains the nihility and the fantastic sense of the life that they show unintentionally out.
异化消费直接导致了以幸福感降低和价值虚无主义为主要表现形式的人的生命符号化现象。
The dissimilation consumption directly results in personal life signalization phenomenon, which is mainly showed as lower happiness and value nihilism.
另外一方面是他精巧地将色彩运用在嘴唇和面部上，增加了画面微妙的透视感，使虚无飘渺的佛更加人性化。
Another is his subtle use of color on the lips and the faces, which adds both a subtle perspective and a humanizing aspect to the ethereal nature of the Buddha.
另外一方面是他精巧地将色彩运用在嘴唇和面部上，增加了画面微妙的透视感，使虚无飘渺的佛更加人性化。
Another is his subtle use of color on the lips and the faces, which adds both a subtle perspective and a humanizing aspect to the ethereal nature of the Buddha.
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