《等待戈多》一直被认为是荒诞派戏剧的代表作品。
"Waiting for Godot" has been regarded as a masterpiece of "Theatre of the Absurd".
二十世纪关于荒诞派戏剧的研究，学术界较为关注。
The research of absurd drama is of great interests to the academic circle in 20~(th) century.
荒诞派戏剧产生荒诞感的重要原因是基于象征手段的极端化。
The absurdity of theatre of the absurd results, in part, from the radical ways of symbolization.
《终局》是荒诞派戏剧大师塞缪尔·贝克特最艰涩的剧作之一。
Endgame is one of the most difficult plays written by Samuel Beckett, the unquestionable leader of the Theatre of the Absurd.
塞缪尔·贝克特和尤金·艾里斯柯曾为“荒诞派戏剧”写作剧本。
Samuel Beckett and Eugene Ionesco have written plays for the theater of the absurd.
在众多的现代主义文学流派中，荒诞派戏剧是影响最大的流派之一。
In the numerous schools of literature of modernism, send the drama to be one of the most influential schools fantastically.
贝克特颠覆传统戏剧要素，开创了一种戏剧新形式“荒诞派戏剧”。
Beckett abandoned the traditional treatment of dramatic ingredients and in doing so gave birth to a new theatre - Theatre of the Absurd.
本文对荒诞派戏剧产生的背景以及该派戏剧的共同特征作了简单的介绍。
The Theatre of the Absurd, which was born in France in 1950s, toppled over the conception of traditional plays.
《等待戈多》和《罗森和吉尔死了》分别是荒诞派戏剧和后现代主义戏剧的代表作。
Waiting for Godot and Rosencrantz and Guildenstern are Dead are respectively the representatives of Theatre of Absurd and Postmodernist drama.
上世纪五十年代欧美兴起的荒诞派戏剧彻底颠覆了传统戏剧，根本改变现有的戏剧观念。
The Theatre of the Absurd, which came into being in the fifties of the last century, totally subverts the ideas of traditional drama.
荒诞派戏剧是世界文坛的一个重要组成部分，它以其独特的艺术形式赢得了不朽的文学地位。
The fantastic play is an important component in the world literature circle, which occupies an immortal literary position for its unique artistic form.
贝克特的《等待戈多》被视为荒诞派戏剧的经典之作，它集中体现了荒诞派戏剧的艺术特色。
Waiting for Godot of Samuel Beckett is regarded as the classical works of the Theatre of the Absurd and it greatly embodies the artistic features of the Theatre of the Absurd.
《头儿》是荒诞派戏剧大师尤奈斯库的一部早期剧作，它较为突出地展现了荒诞派戏剧的基本艺术特征。
Touer, which is an early dramatic work by fantastic school drama Master Lnoesco, has prominently shown the basic artistic characteristic of the fantastic school drama.
现代文学背景下的荒诞派戏剧创作面临着来自传统剧作家们的写作技巧、语言和结构这三方面影响的焦虑。
In modern literature, the writing of the dramas of absurdity has been under the anxieties of influence from the traditional dramatists in the aspects of writing skills, language and structure.
从戏剧哲学观、戏剧舞台设置和戏剧语言观三个方面论述了后现代主义戏剧对荒诞派戏剧的继承性和超越性。
This essay explores the continuity and superiority between Postmodernist drama and Theatre of Absurd from three perspectives: the philosophy of drama, theatrical background and the language of drama.
本文试运用存在主义哲学理论，从人与世界、人与他人及人与自我三个方面来解读这部荒诞派戏剧的经典剧作。
By applying existentialist theories from three aspects: man and the world, man and others, as well as man and self.
《动物园故事》是美国“荒诞派”戏剧的杰出代表爱德华·阿尔比创作于1959年的成名作。
The Zoo Story was written by Edward Albee, the leading figure of the Theatre of Absurd, in 1959, the uniqueness of which lies in the fact that it combines reality with philosophical thinking.
《动物园故事》是美国“荒诞派”戏剧的杰出代表爱德华·阿尔比创作于1959年的成名作。
The Zoo Story was written by Edward Albee, the leading figure of the Theatre of Absurd, in 1959, the uniqueness of which lies in the fact that it combines reality with philosophical thinking.
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