一提到胡桃夹子，你就联想到钟鸣和雪花。
Think of "The Nutcracker" and you imagine chimes and snowflakes.
同事儿子特喜欢胡桃夹子。
“胡桃夹子”是世界上最著名的芭蕾舞剧之一。
"The Nutcracker" is one of the most popular ballets in the world.
在《胡桃夹子》的演出中，他展示出了高超的舞技。
In his performance of the Nutcracker, he showed great technical brilliance.
她做梦，梦到这个胡桃夹子变成了非常英俊的王子来到了她的身边。
She dreams that the nutcracker comes to life as a good-looking prince.
而完整的“胡桃夹子”演出是由旧金山芭蕾舞团于1944年表演的。
The first full-length performance was in nineteen forty-four by the San Francisco Ballet.
其中最流行的是一个用歌舞表达故事的 表演，芭蕾舞“胡桃夹子”。
One of the most popular is a story told in dance: "The Nutcracker" ballet.
如果Santana女士真的期望这个节日节目能媲美“胡桃夹子”，她应该知道如何舞台布景。
If Santana really wants this holiday program to compete with "the Nutcracker," she would be wise to spruce up the stage set.
它一定是在弹《胡桃夹子》：而在一些花生酱的辅助下…镜头拍下了这只松鼠在儿童钢琴旁的样子。
He must be playing the Nutcracker: Squirrel captured at children's piano... with the help of some peanut butter.
出生于俄罗斯的著名芭蕾舞导演乔治·巴兰钦为纽约芭蕾舞团创作了属于他自己的“胡桃夹子”版本。
The famous Russian-born ballet director George Balanchine created his own version of "The Nutcracker" for the New York City Ballet.
在克拉拉的帮助下，胡桃夹子打败了老鼠们，还杀死了它们的国王。然后，胡桃夹子变成了一位英俊的王子。
With Clara's help, the Nutcracker defeats the mouse army and kills the mouse King. The Nutcracker then turns into a prince.
2010年12月21日星期二，科罗拉多芭蕾舞团表演芭蕾舞剧《胡桃夹子》。CaraCooper站在后台等待上场。
Cara Cooper, waits offstage while Clara and the Nutcracker Prince, Asuka Sasaki and Christopher Ellis, dance in a production of the Nutcracker by the Colorado Ballet, Tuesday December 21, 2010. Craig.
本文通过笔者对柴科夫斯基钢琴作品的学习分析了根据其芭蕾舞剧音乐所改编的《胡桃夹子》钢琴套曲的创作特征及弹奏技巧。
In this paper the author of the Tchaikovsky piano works of the study in accordance with its ballet music adaptation of "the Nutcracker" piano Sets repertoire creative features and playing skills.
我告诉她，我会出席她的重要活动，比如圣诞节的《胡桃夹子》芭蕾舞演出、她就读的学校的大型活动、“复兴周末”活动和她的生日聚会。
I told her I'd be there for the important things, like her ballet performance in the Nutcracker at Christmastime, her school events, the trip to Renaissance Weekend, and her birthday party.
本文通过笔者对柴科夫斯基钢琴作品的学习，分析了根据其芭蕾舞剧音乐所改编的《胡桃夹子》钢琴套曲的创作特征及弹奏技巧。
With the study of the Tchaikovskys piano works, The author analyze characters of composing and techniques of the ballet musics piano suite adaption.
本文通过笔者对柴科夫斯基钢琴作品的学习，分析了根据其芭蕾舞剧音乐所改编的《胡桃夹子》钢琴套曲的创作特征及弹奏技巧。
With the study of the Tchaikovskys piano works, The author analyze characters of composing and techniques of the ballet musics piano suite adaption.
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