孩子的手皴了。
太多水，是一种理想的组合化学、粗糙皴手。
Too much water and chemicals is an ideal combination of rough and chapped hands.
可以肯定你用的是保湿类，特别是如果你倾向于有嘴唇干燥皴。
Be sure you are using a moisturizing kind, especially if you tend to have dry chapped lips.
与皴的双手，最大的问题是，你节节进一步降低皮肤的保湿能力。
With chapped hands, the biggest problem is that the chapping further reduces your skin's moisture retention capacity.
此画没有用透视法照样画出物象的空间和距离，是由于画家灵活运用了皴线和点。
This painting does not use the same perspective to draw images of space and distance, is due to the painter flexibility in the use of the Cun lines and points.
这个可爱的青蛙起重机凉爽的水雾加湿器提供额外的舒适性冷的症状，皮肤干燥发痒，皴嘴唇。
This adorable Crane Frog Cool Mist Humidifier provides additional comfort to cold symptoms, dry itchy skin, and chapped lips.
因此，我们不必用透视法来苛求用皴、点与重迭法来表现物象空间距离——“深度”的中国画。
Therefore, we do not have to use perspective to expect with Cun, the points of overlap and show images from space - the "depth" of Chinese painting.
这个可爱的起重机奶牛超声波加湿器水雾降温提供了额外的舒适性冷的症状，皮肤干燥发痒，皴嘴唇。
This adorable Crane Cow Ultrasonic Cool Mist Humidifier provides additional comfort to cold symptoms, dry itchy skin, and chapped lips.
画面中间的绿色皴擦既有视觉上的美感和动态，又恰好表现了枝叶、花蕾的粗糙质感和没枝叶斑驳的交错层次。
The light green strokes in the center, visually appealing and vivacious, texturize the roughness of foliage and bud, and at the same time enrich the intertwining layers of mottled leaves.
没有严格遵照山水画的“勾、皴、点、染”等“程式”来，而是依照自己“成竹在胸”来抒发激情，追求笔墨意趣；
Not strictly follow the landscape of the "hook, cracked, point, dye" and "procedures" to, but according to his "enlightened approach" to express the passion, the pursuit of ink Interest;
相对灵活地使用了斑驳的肌理语言，综合点染，皴擦多种笔法，特别强化了色彩的魅力，使笔墨服从于全画面的气氛。
He neatly used the mottled texture language and added spot-ink and iterative-wrinkle skills, especially highlighted the charm of colours, and finally got a good effect on the whole painting.
董源之后，画家们又把皴与擦融为一体，进一步表现了物象的明暗层次，色彩的渲染对用皴擦表现光分布也起了辅助作用。
Dong Yuan, painters and wipe again Cun integration, further demonstrated the shades images, the color rendering of using performance-Cun wiping distribution also played a supporting role.
董源之后，画家们又把皴与擦融为一体，进一步表现了物象的明暗层次，色彩的渲染对用皴擦表现光分布也起了辅助作用。
Dong Yuan, painters and wipe again Cun integration, further demonstrated the shades images, the color rendering of using performance-Cun wiping distribution also played a supporting role.
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