汉语诗歌节奏在情感的表达上有重要的作用。
The rhythm of Chinese poetry plays an important role in expression of emotion.
汉语诗歌节奏有两种成分——基本成分和附属成分。
The Chinese poetic rhythm consists of two elements — basic elements and subordinate elements.
通过对汉语诗歌翻译的分析，证明解释性相似不是最终答案。
Interpretive resemblance itself provides no answer, which is proved by example of Chinese poem.
从汉语诗歌节奏的形成可以看出汉语诗歌节奏究竟是什么节奏。
It can be known, from studying the formation of the Chinese poetry, what rhythm after all the Chinese poetry is.
《神州集》收录的18首汉语诗歌英译文译自19首中国古典诗歌。
Included in Cathay are 18 English texts translated from 19 classical Chinese poems.
元音是最容易切分出来的乐音。因而古人选择押韵作汉语诗歌最早形式。
The ancients chosed rhyming as the early rhythm of Chinese verse because of the well-felt distinctiveness of vowels in the syllables.
汉语诗歌节奏主要体现在顿和韵上，它与西方诗歌节奏既有共性又有独特性。
The significant performance of the rhythm of Chinese poetry are syllable - pause and rhyme, there are similarities and differences of the rhythm of Chinese and Western Poetry.
文本依据对汉语诗歌 作品的分析、概括，集中阐述韵在诗歌中的多种功能。
On the basis of an analysis and summarization of Chinese poems, this paper elaborates the ten functions of rhyme.
结果表明，汉语诗歌中多用零指，而英语诗歌中多用显指，具体指称手段各有差异。
It is found that Chinese poems are good at using zero references, whereas English poems are strong in employing explicit references, and that their referring mechanisms vary accordingly.
汉语诗歌节奏是对汉语自然节奏单位节拍群的分解，而节拍群主要是由音顿划分出来的。
Thus, the rhythm of Chinese poetry has been formed by decomposing and combining the rhythmical groups in a regularly way.
中国古汉语诗歌言简意赅，在诗歌体裁的各种构造元素中，意象更是处于灵魂性的地位。
In ancient Chinese poetry which boasts the construction of a profound meaning with very succinct language, image is especially central to its artistic value among the various composing elements.
从外部比较作考察，汉语诗歌的白话倾向是世界文学尤其是梵语诗歌作用于中国文学的结果。
As examined from the Angle of the external comparison, the vernacularization of Chinese poetry is the outcome of the influence exerted by the world-literature, especially by the Sanskrit poetry.
七律从其定型开始，就成为了汉语诗歌运用声律的极至和典范，历千余年至今，深得人们喜爱。
Qilv start from stereotypes, Chinese poetry became extreme use of sound laws and the model, calendar over a thousand years now, won the popular.
它丰富了传统诗学的内涵，拓展了传统诗学的理论空间，开辟了古代汉语诗歌和诗学研究的新天地。
It enriched the connotation of traditional poetry, expanded the theory space of traditional poetics and opened up the new world of ancient Chinese poetry and poetics researching.
汉语的声、韵、表意与其他语种有显著不同的特点，传统汉语诗歌与外语诗歌相比也有明显的不同。
Chinese differs a lot from other languages in tones, rhymes and meanings, and traditional Chinese poems are also quite different from foreign poems.
诗魂是当下诗歌的根本缺失，因汉语诗歌传统的必然延续性，古诗意境成为拯救当下诗魂的有效途径。
The effective way to salvage the "soul of contemporary poetry" is the reconstruction of mood of old poem in light of the consistency of Chinese language tradition in poetry.
作为语言的精华，不管是汉语诗歌还是英语诗歌，都具有丰富的文本特征，是汉英对比研究的理想对象。
As the essence of language, poetry, both Chinese and English, is rich in textual features, and it thus makes an ideal subject of contrastive study.
现代汉语诗歌自诞生以来，其本体建设在语言与形式方面展开过两次重要的讨论与建构工作，都未竟其功。
Since its birth, modern Chinese poetry has been discussed twice in terms of language and form, but in vain.
这一章结合古汉语诗歌实例，详细分析前后图式、上下图式、线性图式以及这些图式在诗歌中的混合使用。
Front-back schema, up-down schema, linear order schema and the mixed use of various image schemata are dealt with in details in this chapter.
与英语诗歌节奏比较，汉语诗歌节奏具有以顿歇为节奏点，节奏单元就是意义单元，节奏整齐均匀等特点。
Achievements in the study of English rhythm give us many inspirations and to find the right rhythmic key for the Chinese language is of great significance for further studies.
讽刺诗采用格律诗体，在一定程度上纠正了同时期汉语诗歌在诗体自由化上的极端，保证了汉语诗歌的格律传统在20世纪的被继承与发扬。
By the way, the extreme mistake made by free verse has been corrected and the tradition of metre poetic style of Chinese poetry has been inherited in 20th century.
本文以帕尔莫的文化语言学理论为主要依据，将汉语诗歌中丰富的隐喻现象作为媒介，来审视人类不同的文化因素在唐诗英译领域内的影响和作用。
This thesis chooses the abundant metaphors in Chinese Tang poetry as the media and uses the theory of Palmer's cultural linguistics to study the function of different culture in language.
文章从汉语诗歌的篇章象似性原则出发，结合林语堂的翻译理论，从象似性翻译的角度研究其翻译的中国古典诗词，说明林语堂的译诗基本做到了“形神皆似”。
This article is intended to discuss Lin Yutang s translation of Chinese classic poetry into English based on the principles of textual iconicity in Chinese poetic texts.
在中国引进西方文学的历史上，第一个介绍到中国来的是美国诗人朗费罗，译成汉语的第一首英语诗歌是他的《人生颂》。
In the history Longfellow is the first American poet to be introduced from the west to China, whose "a Psalm of Life" is the first English poem translated into Chinese.
英汉两种语言分属两个不同语系，汉语又具有与生俱来的诗性特质，所以我们必须承认汉诗英译中诗歌审美鉴赏的差异性。
Because English and Chinese are of different family and Chinese is born with a poetic nature, we must accept the differences of poetry appreciation in translating Chinese classic poetry into English.
郞读英文诗歌还能使你开启一扇大门，在那儿，你可以找到更新的用汉语表达思想的方法。
Reading poetry in English also opens the door to finding new ways of expressing yourself in Chinese.
第二章论述了作为诗歌媒介的汉语的自身特点。
Chapter Two shows the characteristics of Chinese as a poetic medium.
第二章论述了作为诗歌媒介的汉语的自身特点。
Chapter Two shows the characteristics of Chinese as a poetic medium.
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