本文从文化研究的视角，运用比较文学的理论，分四个部分对伍尔夫的主要诗学思想及其对中国文学的影响做出梳理和阐释。
This thesis, employing the cultural research point of view and the theory of comparative literature, tries to put in order and interpret how Woolf s poetics influence Chinese literature in four parts.
本文将对史景迁著作及期刊论文中所呈现的中国图景，从以上四个主要方面建立分析框架，进行比较文化理论与文化认知视野下的阐释解读。
This dissertation tries to capture and interpret Spence's China image mainly on the four aspects with the help of comparative culture study theories and under the cultural recognition perspective.
提出如果从人体图式是中国传统四合院建筑发生机制的观点出发，那么可对四合院建筑的形式、布局、称谓以及文化内涵等方面做出比较合理和完整的阐释。
From the views of the abstract type of the human body, we can interpret reasonably and fully the form, arrangement, appellation and culture of the traditional Chinese courtyard house.
就《我爱比尔》和《最蓝的眼睛》在族裔文化身份阐释的问题上进行比较，探讨文学作品中文学形象的文化身份问题。
This paper makes a comparison between I Love Bill and The Bluest Eye to discuss cultural identity of cultural images in literary works.
就《我爱比尔》和《最蓝的眼睛》在族裔文化身份阐释的问题上进行比较，探讨文学作品中文学形象的文化身份问题。
This paper makes a comparison between I Love Bill and The Bluest Eye to discuss cultural identity of cultural images in literary works.
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