第一章，对歌仔戏及其生存环境作简要概括。
The first chapter, a brief summary of the Gezi Opera and its living environment.
为什么透过歌仔戏的唱念作打，剧情内容可以变得丰富又生动？
Why can Ge-Zai opera make the plots more abundant and colourful through singing, chanting, gesturing , and fighting?
本文从多学科的视角分析歌仔戏唱腔音乐，以期更客观地认识、把握歌仔戏这一特殊戏曲剧种音乐的创腔规律。
The thesis analyzes the music of Gezi Opera using the multi-subjects viewing Angle, and aims to understand and grasp the law of Gezi Opera's music more objectively.
本文从独具闽南特色的地方音乐出发，阐述了闽南音乐如高甲戏、芗剧（歌仔戏）、南曲、布袋戏等众多音乐种类频繁赴东南亚演出的历史。
Taking local music with South Fujian characteristics as starting point, the paper expounds the history of various genres of South Fujian music frequently performing in Southeast Asia.
本文从独具闽南特色的地方音乐出发，阐述了闽南音乐如高甲戏、芗剧（歌仔戏）、南曲、布袋戏等众多音乐种类频繁赴东南亚演出的历史。
Taking local music with South Fujian characteristics as starting point, the paper expounds the history of various genres of South Fujian music frequently performing in Southeast Asia.
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