曾梵志“面具”画作的背景一贯空无一物，而且是平面的，突出人工化的场景，及画中人物的疏离感觉。

Zeng typically has left the backgrounds of his Mask paints empty and flat, to highlight both the artificiality of the scene and the alienation inherent to the sitter.

youdao

曾梵志“面具”画作的背景一贯空无一物，而且是平面的，突出人工化的场景，及画中人物的疏离感觉。

Zeng typically has left the backgrounds of his Mask paints empty and flat, to highlight both the artificiality of the scene and the alienation inherent to the sitter.

youdao