第四部分具体谈梁楷的绘画技法风格，着重对他的“减笔”、“泼墨”技法进行论述。
The fourth part is to deal with some of the specific style of Liang Kai's painting techniques, focusing on his painting technique of "cut-pen"and "splash-ink".
第三部分谈《送子天王图》与同时期的人物画及宋代（梁楷以前）的人物画之中的线型特点对比。
The fourth part discusses the God Deliver Son and the same time portrait and in Song Dynasty's portrait linear characteristic contrast.
莫兰迪、巴尔蒂斯、梁楷的作品是通过绘画形式得以体现的，他们在选题、经营位置、用笔、用色都受到艺术简约意识的影响。
Morandi, Balthus, Liang Kai s works are embodied through paintings, their choice of subject, the operating position, their use of pen and color are all influenced by simple art awareness.
莫兰迪、巴尔蒂斯、梁楷的作品是通过绘画形式得以体现的，他们在选题、经营位置、用笔、用色都受到艺术简约意识的影响。
Morandi, Balthus, Liang Kai s works are embodied through paintings, their choice of subject, the operating position, their use of pen and color are all influenced by simple art awareness.
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