古稀之年的葛饰北斋(1760-1849,日本人,浮世绘画家)依然充满了艺术活力,创作了一系列的浮世绘或木版画《冨岳三十六景》。
AT AROUND the age of 70, Katsushika Hokusai, still bounding with artistic energy, created “Thirty-six Views of Mount Fuji”, a series of ukiyo-e, or woodblock prints.
美术馆下周要举办木版画展,咱们去看看吧!
A woodcut exhibition will be held in the art museum next week. Let's go to see it.
你喜欢这些套色木版画吗?
Do you like the pictures printed in colours from wooden blocks?
最早的印刷方式是用手工雕刻木版印刷。
In its earliest form, printing was done from hand-carved wooden blocks.
那边有个木版,上面说我们可以喂它们面包吃。
There is a wood board there. It says we can give bread to the monkeys.
第一本印刷书是用纸紧贴涂有墨汁的木版制成的。
The first printed books were made by putting ink on a wooden block and holding the paper against it.
如南通独创的彩锦绣、丝绸剪贴、木版画、灯彩等等。
Nantong original color, such as beautiful, silk cut and paste, wood engravings, Deng Cai and so on.
展览包括他最近的作品水墨画“乌托邦”系列和一些木版画。
The exhibition includes a number of examples from his most recent series of ink paintings titled 'Utopia', and a handful of woodblock prints.
来自10余处木版年画产地的德高望重的民间艺术家已签名支持申非遗。
Respected folk artists from more than 10 places that developed the art form signed their names in support of the application.
木刻(木面木刻):木刻一词,泛指任何的雕刻木版。严格来说,它是“木面木刻”;
Woodcut: The term woodcut is often used loosely for any carving made on a wooden block.
漳州木版年画先在木质平板上镌刻画稿(分色版和墨线版),而后以短版法套印于纸上。
For Zhangzhou New Year wood-block prints, drawings are first engraved on wood-blocks (including coloring block and outline block), then overprinted on the paper using wood-block printing.
系统分析比较了数码喷墨、木版水印、珂罗版复制、丝网印刷等当前宣纸古籍复制主流技术;
The technologies most used for reproduction of Chinese ancient books on Xuan paper such as digital ink jet, woodblock watermark, collotype and screen print were compared and analyzed.
在当前以杨柳青年画传统木版技术为消费核心的文化语境中,杨柳青年画木版技术正在发生着复杂的技术转型。
While nowadays when traditional woodcut technology of Yangliuqing New Year Paintings increasingly becomes consumption focus, it is undergoing a complex transformation accordingly.
在中世纪和文艺复兴时期,石膏粉(熟石膏和动物胶的混合物)被涂抹于木版、胶布、石头或帆布上,用做蛋彩画和油画的背景。
In medieval and Renaissance times, gesso (plaster of Paris mixed with glue) was applied to wood panels, plaster, stone, or canvas to provide the ground for tempera and oil painting.
黑白木版画作品《食指》、《我们》系列等是我研究生阶段创作的一部分,也是我在中国美术学院版画系学习过程中不断尝试和探索的一点结果。
The black-and-white woodcuts such as the Forefinger and the We were created during my graduate student periods. They also marked the progress that I had made during my study at China Academy of Art.
黑白木版画作品《食指》、《我们》系列等是我研究生阶段创作的一部分,也是我在中国美术学院版画系学习过程中不断尝试和探索的一点结果。
The black-and-white woodcuts such as the Forefinger and the We were created during my graduate student periods. They also marked the progress that I had made during my study at China Academy of Art.
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