“散点透视”是中国画透视现象的代名词。
The cavalier perspective is thought to be the synonym of perspective in the traditional Chinese painting.
南阳汉画像石在散点透视、以线造型和意象造型三个方面具有独特的艺术表现。
There are three distinctive artistic expressions of the Nanyang Han Dynasty's stone reliefs:scattering perspective, modelling with lines, modelling with images.
散点透视的应用是景象获得解放的技巧，地貌的延绵和山峦的逶迤突破了强制性边框。
The application scatter perspective is techniques for liberation of scene. Stretches of land and mountain landscape break the mandatory border.
景观设计借用“道法自然”的环境观及散点透视的手法，利用山体和水体，构建景观廊道。
Landscape design follows "after nature" philosophy and multi-landscape design techniques and constructs landscape corridor with mountain and water.
再如，山水画的散点透视是为了消除个人的视限，在意识中还原现象，而不是在心理空间中重构意象。
The cavalier perspective of landscape painting was to be eliminate the limitation of individual, and revert phenomenons in consciousness, but not rebuilt images mental space.
它以长卷形式，采用散点透视的构图法，将繁荣的景物纳入统一而富于变化的画面中，画中人物神情各异，衣着不同。
The entire piece , painted in hand scroll format, deployed the method of scatter perspective mapping, bringing in varied landscape and numerous human characters all dressed differently.
它以长卷形式，采用散点透视的构图法，将繁荣的景物纳入统一而富于变化的画面中，画中人物神情各异，衣着不同。
The entire piece , painted in hand scroll format, deployed the method of scatter perspective mapping, bringing in varied landscape and numerous human characters all dressed differently.
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