他又在长安、洛阳两地设置了四处外教坊。
He also set up four other Outer Jiaofang in Chang 'an (now Xi 'an) and Luoyang.
清代戏曲管理分三个时期，即教坊司、南府和升平署。
The opera management is divided into three period, Jiaofang, Nanfu and Shengpingshu in Qing Dynasty.
玄宗设立教坊的直接目的在于安置原藩邸的乐工与宦官；
The purpose that emperor Tang Xuan-zong set up Musical House was to settle down former musicians and eunuchs.
教坊职司方面与宋似，仍是宫廷承应乐舞的不可或缺的机构。
Jin Jiaofang was the immutable setup when taking on music and dancing.
其中教坊司时期在清初，戏曲演出活动不多，戏曲管理极为简单；
Jiaofang period is in the early Qing Dynasty, the performances is not very much, management is extremely simple;
唐明皇就任以后，在皇宫里设教坊，“梨园”就是专门培养演员的地方。
Tang Minghuang set up Liyuan (Pear Garden) in the palace to train good performers.
宋代宫廷的多数礼仪中教坊并不负责核心的工作，但在大傩仪中却扮演了重要的角色。
Seventhly, considering that Jiao-Fang in Song did not play an important role in most of royal court ceremony but Da-Nuo ceremony.
唐代第一任教坊使为范安及，教坊使的职能是管理乐人与音乐，他们与音乐才华没有必然的联系；
The first administrator of Musical House was Fan An-ji, who was in charge of the musicians and had people who held the post no necessary connection with music brilliance.
对其所用宫调数目及其与唐燕乐二十八调、宋教坊乐和宋词乐所用宫调的关系也试图作一些初步的探讨。
It also tries to probe into the number of tunes and its relationship with 28 tunes of Yan Music in Tang dynasty and Jiaofang Music in Song dynasty and tunes of Ci Music in Song dynasty.
对其所用宫调数目及其与唐燕乐二十八调、宋教坊乐和宋词乐所用宫调的关系也试图作一些初步的探讨。
It also tries to probe into the number of tunes and its relationship with 28 tunes of Yan Music in Tang dynasty and Jiaofang Music in Song dynasty and tunes of Ci Music in Song dynasty.
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