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  • 我们永远无法确定这些是不是一种戏仿。

    We can never be sure that they are not parodistic.

    youdao

  • “这孩子”精练的语言略似对低成本的西部电影的一种戏仿。

    The kid's terseness is a mild parody of B-movie westerns.

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  • 法官回绝了这本书是戏仿之作的辩称,而戏仿之作在法律上是允许的。

    The judge rejectedthe argument that the book was a parody, which would have been legallypermissible.

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  • 作品的主题从对塔罗牌的戏仿到文艺风格的讽刺作品,包罗万象。

    The subjects range from takeoffs on Tarot cards to satires of literary styles.

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  • 默多克是运用戏仿的天才。

    Murdoch is a genius of using parody.

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  • 第三章主要探讨戏仿手法。

    Chapter Three mainly deals with parody.

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  • 戏仿是后现代主义小说的一个主要特征。

    Parody constructs one of the primary features of postmodernist fiction.

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  • 论文作者认为,戏仿导致反英雄的诞生。

    The author thinks that pastiche leads to the birth of anti-hero.

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  • 戏仿:对一部文学、艺术或音乐作品的诙谐模仿。

    Parody: The humorous imitation of a work of literature, art, or music.

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  • 戏仿往往是通过夸张或嘲笑的手法来达到其诙谐幽默的效果。

    A parody often achieves its humorous effect through the use of exaggeration or mockery.

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  • 第二章主要分析了洛奇小说中的两种互文性写作方法:戏仿与拼贴;

    Part two deals with the two writing methods of intertextuality in his novels:parody and collage.

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  • 戏仿也是新生力量借以对文化霸权或社会话语权威进行消解的有力武器。

    Meanwhile, parody is also a powerful weapon for the new social forces to de-authorize cultural hegemony and authoritative social discourses.

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  • 夺发记在对英雄史诗的显著特征进行全面“戏仿”的同时,结合了作者对道德的联想与思考。

    By parodying the overall traits of heroic epics, the Rape of the Lock involves the author's thoughts and associations of morality.

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  • 戏仿叙述通过文体风格、语言形式的异质性形成反讽,深入展现人物内心世界扭曲异化的非理性意识活动。

    Parodic narration employs the heterogeneity and irony of style and language forms to delineate the alienated and irrational consciousness of the characters.

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  • 论文主要以第三代诗歌文本为例,分析阐述反讽在诗歌中的具体表现:言语反讽、戏仿式反讽、存在式反讽等。

    Taking poems of the third generation as an example, this paper attempts to analyze specific USES of irony in poems: verbal irony, parody irony, and existential irony, etc.

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  • 通过研读厄普代克的戏仿作品,读者既领略到戏仿策略的艺术,又了解了两位作家所彰显的不同时代的文化底蕴。

    By studying Updike's parodic works, the readers can learn not only the art of his parodic narration, but also the cultural connotations in different times between the two writers.

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  • 很多段落具有梅尔维尔——福克纳风格的巴洛克式华美,以及品钦《拍卖第49批》等作品中的那种语言张力,但永远无法确定这些是不是一种戏仿。

    There are passages of Melvillean-Faulknerian baroque richness and intensity in The Crying of Lot 49, and elsewhere in Pynchon, but we can never be sure that they are not parodistic.

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  • 拼贴与仿作是《尤利西斯》中两种重要的戏拟技法。

    Collage and pastiche are two important parody techniques employed in Ulysses.

    youdao

  • 拼贴与仿作是《尤利西斯》中两种重要的戏拟技法。

    Collage and pastiche are two important parody techniques employed in Ulysses.

    youdao

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