但从19世纪某个时间点开始，更多的艺术家开始认为幸福毫无意义，是虚假的，最糟糕的是有人认为它很无趣，就像我们从华兹华斯的《咏水仙》到波德莱尔的《恶之花》中读到的一样。
But somewhere from the 19th century onward, more artists began seeing happiness as meaningless, phony or, worst of all, boring, as we went from Wordsworth's Daffodils to Baudelaire's Flowers of Evil.
我们从华兹华斯的黄水仙花走到了波德莱尔的恶之花。
We went from Wordsworth's daffodils to Baudelaire's flowers of evil.
因此，西方现代派文学的真正源头，应是法国诗人波德莱尔发表《恶之花》的1957年。
Therefore, the source of the real modernistic literature ought to be 1957 when Charles Baudelair had his les Fleus du mal published.
然后这浪漫的代价却是战栗、恐惧与锥心的痛：小说使人看到青春的本相是残酷的诗，是一丛华丽的恶之花。
However the cost of his romance was tremor, terror and pains in the heart. This novel makes readers see that the original nature of youth is a cruel poem and a bunch of beautiful, but evil flowers.
然后这浪漫的代价却是战栗、恐惧与锥心的痛：小说使人看到青春的本相是残酷的诗，是一丛华丽的恶之花。
However the cost of his romance was tremor, terror and pains in the heart. This novel makes readers see that the original nature of youth is a cruel poem and a bunch of beautiful, but evil flowers.
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